Cuba's leading contemporary tres master — Pancho Amat has spent his career expanding the expressive range of the tres while keeping it rooted in the Afro-Cuban son tradition.
Pancho Amat is widely regarded as the finest living Cuban tres player. Working within both traditional son formats and more contemporary contexts, he has developed a voice on the instrument that honors its historical roots while demonstrating its contemporary possibilities.
He has recorded and performed with a wide range of Cuban artists and has been instrumental in raising the profile of the tres as an instrument worthy of serious attention. His work demonstrates that the tres can function as a solo voice, not just a rhythmic-harmonic accompaniment instrument.