Comiendo y Cantando - Pio Leyva - song
The example above features the characteristic âgon-gon, gon-gonâ bassline typical of son. In this case itâs played on the Spanish guitar, but the pattern remains easy to recognize.
This bassline has its roots in the marĂmbula, an Afro-Cuban instrument derived from African lamellophones (often called âthumb pianosâ). The marĂmbula, with its deep plucked tones, essentially provided the bass voice in early son ensembles.

The marĂmbula is an Afro-Cuban bass instrument derived from African lamellophones (thumb pianos). It provided the bass voice in early son ensembles before being replaced by the upright bass.
Lees meer >Timba, the explosive and rhythmically rich genre of Cuban dance music, transformed how the bass functions in popular music. In timba"> Timba, the bass is not just foundational â itâs fiery, funky, and free.
Lees meer >The Spanish guitar arrived in Cuba with the colonizers and became the seed of Cuban music, blending with African rhythms. From inspiring the tres to shaping son, conjuntos, and even modern timba"> timba, its influence runs through every note of Cubaâs musical history.
Lees meer >Son dance is the foundation of all Cuban popular partner dancing â smooth, intimate, grounded, and musical. Every Cuban dance style that followed ( mambo"> mambo, casino, timba"> timba) builds on the body vocabulary and structure established by son.
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