Son a yemaya - Son del nene - song
There is a lot going on in this song, son, rumba, yemaya
Introducción / Diana
This is the opening section of the song, which sets the mood and introduces the musical motifs.
It often features a horn section and can include elements from the song's main themes.
The largo, canto, or verse, is where the lead vocalist sings the main lyrical content of the song.
In timba"> Timba, the canto often contains a narrative or thematic element and is supported by the rhythm section and background vocals.
Lees meer >Mambo
In Cuban music, especially in salsa and son,
the " mambo" section typically refers to a brassy, rhythmically intense instrumental break,
often featuring repetitive horn lines, call-and-response patterns, and building energy toward the climax of a song.
Mambo
In Cuban music, especially in salsa and son,
the "mambo" section typically refers to a brassy, rhythmically intense instrumental break,
often featuring repetitive horn lines, call-and-response patterns, and building energy toward the climax of a song.
Son dance is the foundation of all Cuban popular partner dancing — smooth, intimate, grounded, and musical. Every Cuban dance style that followed (mambo, casino, timba) builds on the body vocabulary and structure established by son.
Lees meer >The conclusion of the song, which often mirrors the intro or brings the song to a close with a final statement by the band.
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The bongo is a pair of small open-bottomed drums played with fingers and palms. It originated in eastern Cuba and became one of the defining percussion voices of son and timba"> timba.
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The tres is a Cuban guitar-like instrument with three pairs (courses) of strings. It is the defining melodic-rhythmic instrument of son cubano and its ancestor genres.
Lees meer >Timba, the explosive and rhythmically rich genre of Cuban dance music, transformed how the bass functions in popular music. In timba"> Timba, the bass is not just foundational — it’s fiery, funky, and free.
Lees meer >Yemayá is the Orisha of the sea and the mother of all Orishas. She governs the saltwater ocean and all living things within it. As mother, she is nurturing, protective — and when angered, devastating.
Lees meer >Son dance is the foundation of all Cuban popular partner dancing — smooth, intimate, grounded, and musical. Every Cuban dance style that followed ( mambo"> mambo, casino, timba"> timba) builds on the body vocabulary and structure established by son.
Lees meer >Cuban rumba is an Afro-Cuban music and dance genre characterized by complex rhythms, call-and-response vocals, and expressive, often flirtatious movements, rooted in African and Spanish traditions.
Lees meer >Yemayá is the mother of all Orishas and the ruler of the sea. Her dance is one of the most visually beautiful in the repertoire — expansive, flowing, and in constant, wave-like motion.
Lees meer >Mambo was Cuba's first global music explosion — the form that put Cuban rhythms on dance floors from New York to Tokyo in the late 1940s and 1950s, and the direct ancestor of the Latin big band sound.
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