Me Mantengo - Los Van Van - example
Van Van es una especie de caso especial en el que a veces usan cambios de marcha y a veces no. Aquí está Me mantengo, por ejemplo.
0:00.0s
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[ 0:00- 0:15] Intro video
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[ 0:15- 0:55] Charanga
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[ 0:55- 1:19] marcha abajo (cáscara, no bells, bass playing some kind of tumbao)
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[ 1:19- 1:49] Charanga
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[ 1:49- 2:12] Marcha abajo
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[ 2:12- 2:24] Charanga
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[ 2:24- 3:05] Coro 1 - Marcha arriba (bells, bass playing some kind of tumbao)
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[ 3:05- 3:12] Puente - special section to transition
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[ 3:12- 4:29] Coro 2 - Marcha arriba (bells, bass playing some kind of tumbao)
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[ 4:29- 4:57] Masacote gear - bass drops out piano and toms playing maybe congas too? (this is a timba gear because the bass drops out)
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[ 4:57- 5:42] Ending, subtitles.
timberamayor:
Van Van es una especie de caso especial en el que a veces usan cambios de marcha y a veces no. Aquí está Me mantengo, por ejemplo. En la terminología de Kevin, los cambios de marcha son los que se usan tanto en timba como en salsa.
Intenté establecer las marcas de tiempo después de los tiempos del video, no del álbum, por lo que necesitas restar unos 14 segundos si estás escuchando el CD, además creo que cortaron una sección en el video.
- 00:15-00:55 charanga (nota el uso de la campana cha)
- 00:55-01:19 marcha abjao (cáscara, sin campanas, bajo tocando algún tipo de tumbao)
- 1:19-1:49 charanga
- 1:49-1:57 marcha abajo
- 2:12-2:24 charanga
- 2:24 coro 1 - marcha arriba (campanas, bajo tocando algún tipo de tumbao)
- 3:05 puente - sección especial para transición
- 3:12 coro 2 - marcha arriba (campanas, bajo tocando algún tipo de tumbao)
- 4:30 cambio de marcha masacote - el bajo se retira, el piano y los toms tocando, ¿tal vez las congas también? (este es un cambio de marcha de timba porque el bajo se retira)
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Letras
https://www.musica.com/letras.asp?letra=1851608&utm_source=chatgpt.com
A Cuban popular dance music genre that emerged in the 1980s–90s
- emerged in the 1980s–90s
- influenced by songo, rumba, funk, blues, jazz, pop, rock and Afro-Cuban rhythms.
- Known for complex rhythm shifts, aggressive bass lines, and high energy that push dancers to improvise.
Lees meer >Introducción / Diana
This is the opening section of the song, which sets the mood and introduces the musical motifs.
It often features a horn section and can include elements from the song's main themes.
- Coro = el Coro, canta una frase repetitiva.
- Pregón = el cantante principal canta líneas variadas o improvisadas
Lees meer >In timba (a Cuban music style related to salsa, but with stronger influences from funk,
Afro-Cuban rhythms, and jazz), a " masacote" typically refers to a powerful, rhythmic burst in the music.
It’s a short, intense moment where the instrumentation – especially the rhythm section – becomes extra groovy, syncopated, or funky.
Lees meer >The terms "marcha abajo" and " marcha arriba" describe different energy levels or sections within the montuno.
Lees meer >The terms " marcha abajo" and " marcha arriba" describe different energy levels or sections within the montuno.
Lees meer >Dances
- Danzón – The quintessential Cuban ballroom dance, elegant and formal, often seen as the "national dance of Cuba."
- Danzonete – A sung variant of danzón that became popular in the 1920s–30s.
- Cha-cha-chá – Created in the 1950s by Enrique Jorrín while playing with a charanga; specifically designed for charanga orchestras.
- Pachanga – A playful dance and rhythm from the late 1950s/early 1960s, closely linked to charanga bands.
- Mambo (in its earlier Cuban form) – Before the big-band New York mambo, charangas also played early mambo-style danzones.
- Charanga is a Cuban ensemble style and musical tradition that dates back to the early 20th century. It became especially popular in the 1940s–50s and played a crucial role in the evolution of salsa, timba, and Latin jazz.
Lees meer >Timba, the explosive and rhythmically rich genre of Cuban dance music, transformed how the bass functions in popular music. In Timba, the bass is not just foundational — it’s fiery, funky, and free.
Lees meer >Origins
Inventor: Bartolomeo Cristofori (1655–1731), an Italian instrument maker in Florence.
Date: Around 1700, Cristofori built the first instrument he called a “gravicembalo col piano e forte” — meaning harpsichord with soft and loud.
Lees meer >
- Son traditional
- Son urbano
- Son montuno
- Son moderno.
Lees meer >