Me Mantengo - Los Van Van - example
Van Van is sort of a special case in that they sometimes use gears and sometimes not. Here is Me mantengo for example.
0:00.0s
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[ 0:00- 0:15] Intro video
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[ 0:15- 0:55] Charanga
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[ 0:55- 1:19] marcha abajo (cĂĄscara, no bells, bass playing some kind of tumbao)
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[ 1:19- 1:49] Charanga
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[ 1:49- 2:12] Marcha abajo
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[ 2:12- 2:24] Charanga
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[ 2:24- 3:05] Coro 1 - Marcha arriba (bells, bass playing some kind of tumbao)
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[ 3:05- 3:12] Bridge - special section to transition
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[ 3:12- 4:29] Coro 2 - Marcha arriba (bells, bass playing some kind of tumbao)
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[ 4:29- 4:57] Masacote gear - bass drops out piano and toms playing maybe congas too? (this is a timba"> timba gear because the bass drops out)
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[ 4:57- 5:42] Ending, subtitles.
timberamayor:
Van Van is een soort speciaal geval in die zin dat ze soms Gears gebruiken en soms niet. Hier is bijvoorbeeld Me mantengo. In de terminologie van Kevin zijn de marcha Gears degenen die zowel in timba"> timba als in salsa worden gebruikt.
Ik heb geprobeerd de tijdstempels in te stellen na de videotijden, niet het album, dus je moet ongeveer 14 seconden aftrekken als je naar de CD luistert plus ik denk dat ze een sectie in de video hebben geknipt.
- 00:15-00:55 charanga (let op het gebruik van de cha bell)
- 00:55-01:19 marcha abjao (cĂĄscara, geen bellen, bas speelt een soort tumbao)
- 1:19-1:49 charanga
- 1:49-1:57 marcha abajo
- 2:12-2:24 charanga
- 2:24 coro 1 - marcha arriba (bellen, bas speelt een soort tumbao)
- 3:05 puente - speciale sectie voor overgang
- 3:12 coro 2 - marcha arriba (bellen, bas speelt een soort tumbao)
- 4:30 masacote Gear - bas valt uit piano en toms spelen misschien conga's ook? (dit is een timba"> timba Gear omdat de bas uitvalt)
bron
Songtekst
https://www.musica.com/letras.asp?letra=1851608
A Cuban popular dance music genre that emerged in the 1980sâ90s
- emerged in the 1980sâ90s
- influenced by songo, rumba, funk, blues, jazz, pop, rock and Afro-Cuban rhythms.
- Known for complex rhythm shifts, aggressive bass lines, and high energy that push dancers to improvise.
Lees meer >IntroducciĂłn / Diana
This is the opening section of the song, which sets the mood and introduces the musical motifs.
It often features a horn section and can include elements from the song's main themes.
- Coro = het Koor, zingt een herhalende frase.
- Pregón = de leadzanger zingt variërende of geïmproviseerde lijnen
Lees meer >In timba"> timba (a Cuban music style related to salsa, but with stronger influences from funk,
Afro-Cuban rhythms, and jazz), a " masacote" typically refers to a powerful, rhythmic burst in the music.
Itâs a short, intense moment where the instrumentation â especially the rhythm section â becomes extra groovy, syncopated, or funky.
Lees meer >The terms "marcha abajo" and " marcha arriba" describe different energy levels or sections within the montuno"> montuno.
Lees meer >The terms " marcha abajo" and " marcha arriba" describe different energy levels or sections within the montuno"> montuno.
Lees meer >Dances
- DanzĂłn â The quintessential Cuban ballroom dance, elegant and formal, often seen as the "national dance of Cuba."
- Danzonete â A sung variant of danzĂłn that became popular in the 1920sâ30s.
- Cha-cha-chĂĄ â Created in the 1950s by Enrique JorrĂn while playing with a charanga; specifically designed for charanga orchestras.
- Pachanga â A playful dance and rhythm from the late 1950s/early 1960s, closely linked to charanga bands.
- Mambo (in its earlier Cuban form) â Before the big-band New York mambo"> mambo, charangas also played early mambo-style danzones.
- Charanga is a Cuban ensemble style and musical tradition that dates back to the early 20th century. It became especially popular in the 1940sâ50s and played a crucial role in the evolution of salsa, timba"> timba, and Latin jazz.
Lees meer >
The conga (also called tumbadora) is the primary hand drum of Cuban music and the rhythmic backbone of timba"> timba, son, rumba, and salsa.
Lees meer >
The conga (also called tumbadora) is the primary hand drum of Cuban music and the rhythmic backbone of timba"> timba, son, rumba, and salsa.
Lees meer >Timba, the explosive and rhythmically rich genre of Cuban dance music, transformed how the bass functions in popular music. In timba"> Timba, the bass is not just foundational â itâs fiery, funky, and free.
Lees meer >The piano is the harmonic and rhythmic heart of Cuban popular music. In timba"> timba, it is one of the most demanding and expressive instruments in the ensemble.
Lees meer >The piano is the harmonic and rhythmic heart of Cuban popular music. In timba"> timba, it is one of the most demanding and expressive instruments in the ensemble.
Lees meer >Timba is the music this site is dedicated to exploring. It emerged as a distinct genre in the late 1980s and crystallized in the early 1990s â born in a moment of social crisis, built on the full accumulated history of Cuban music, and still evolving today.
Lees meer >